Shezad Dawood's Towards the Possible Film (2014) screens as part of the Guggenheim's exhibition In Between Days: Video from the Guggenheim Collections.
The screening comprises new acquisitions whose themes of isolation and occupation have taken on new significance, one year on from when the Guggenheim closed its doors in response to the Covid-19 pandemic. In a uniquely-organised viewing experience, works will be projected onto a vast screen which hangs in the otherwise vacant rotunda of the Guggenheim, to facilitate socially-distanced screenings.
Towards the Possible Film charts the course of colliding worlds and parallel universes. As much of a projection into a far-off future as a flashback to a long-forgotten past, Dawood’s vivid 20-minute tableau combines the resonance of a mythic fable with the hallucinatory haziness of a waking dream.
In-Between Days was curated by Nat Trotman, Curator, Performance and Media.
Towards the Possible Film (2014) by Shezad Dawood was commissioned by Film and Video Umbrella and Delfina Foundation. In partnership with Leeds Art Gallery, Paradise Row, Art Dubai Projects, Witte de With, Marrakech Biennale, British Council, University of Westminster, Chemould Prescott Road, Galerie Gabriel Rolt, Dar Al-Ma’mûn, and in association with Parasol unit foundation for contemporary art. Developed in close partnership with Dabateatr, Rabat. FVU is supported by Arts Council England.